mermaidcamp

mermaidcamp

Keeping current in wellness, in and out of the water

You can scroll the shelf using and keys

Spylight

April 24, 2015 3 Comments

skeleton

skeleton

Windows of stained glass, gothic arches reaching down from heaven

Contain secret hiding places from which to see the world in procession

Between clouds and stars light years have passed uncounted, forgotten

Pathways of comets, trails of meteors falling to earth, and fools misbegotten

Bright  illumination shines through the veils, the curtain, and the hidden door

While multitudes enrolled in rival schools of thought collapse into war

Youth, athletic performance, strength have become the peak obsession,

Playing games is a metaphor when competition is the prize possession

NaPoWriMo 2015

NaPoWriMo 2015

Poets and poetry are celebrated during the month of April here.  Enjoy reading writing and reciting!!!

Double Agony

April 16, 2015 4 Comments

My mother’s sister Ruth had a thick southern accent and her own oxygen tank.
She lived inside her house, dressed in fancy sleepwear and slippers
Her job was that of a full time hypochondriac, sick and tired of everything
Her twin sister also suffered greatly from that malady of imagined illness
Each tried to overstate the case of their eminent demise and terrible suffering
Although they lived hundreds of miles apart, they copied each others’ diseases
It always made me wonder if they had made a pact before birth to be dramatically unwell

sand and shadow

sand and shadow

NaPoWriMo 2015

NaPoWriMo 2015

Poetry is flowing abundantly during the month of April here.  Enjoy reading , writing , or listening to poetry to increase your understanding of your fellow beings.

Eternal Internal

April 8, 2015 3 Comments

internal energy

internal energy

 

Dream state leading to broad daylight, lingering impressions

Trace history down long corridors of power, sorrows, laughter

Holding on to feelings while letting go of rigid definitions

Jumping into the stream of flowing light at the heart of the matter

 

NaPoWriMo 2015

NaPoWriMo 2015

Poetry is flowing profusely this month. Enjoy the creative thrills available at #NaPoWriMo during April.  Ride the poetry train here.

 

Renewal

April 3, 2015 3 Comments

thorny issues

thorny issues

Renew  belief in daily magic and mystical retreat
Throw caution over the cliff into the turgid water far below
If time waits and your ideals simmer on low heat for too long
Regret and confiscated creativity will overshadow your talents

Hourglass of weakening resolve spills multi colored sands
Through the narrow opening, sliding down toward eternity
With clear, smooth and unequivocably final gravitas

NaPoWriMo 2015

NaPoWriMo 2015

Find poetry fun all month here.

Elemental Journey

April 2, 2015 5 Comments

 

clouds in sky

clouds in sky

Alchemy begins with me, a vessel for every need and purpose

My heartbeat connects to ancient chains, invisible bonds, and flying

Rhythmic rangers ride through dreams, telling tales of other planets,

Hold on to the reins and plot your flightplan, check your engines,

Clear the active runway for take off  and ascend to your fated glory

NaPoWriMo 2015

NaPoWriMo 2015

Read write, enjoy poetry all month here

 

#ROW80 Subject Matters

March 9, 2015 2 Comments

ROW80

ROW80

This week I bought a book of poetry that has been created by illiterate women in Pakistan and Afghanistan. These cultural specialties of the Pashtun tribe are biting commentary on life. Since they live in a war-torn state, to say the least, and their rights are severely limited because they are female, their point of view contains irony and stinging truth about love, war, grief, homeland, and separation. They tackle these subjects with depth and witty metaphor which they have learned from other women. The special right to express themselves is frequently withdrawn if the males in a family learn about it. The book I am reading, I am the Beggar of the World, was inspired by a young girl’s suicide when she was forbidden to create landays and share them on a telephone hot line in Kabul.  The journalists who composed the images and couplets are veteran reporters who had been in the area during years of war, covering just the facts.  They were emotionally and creatively blown away by the density and artfulness of this pastime/folk literature.  The Poetry Foundation helped fund the expedition and Poetry magazine published some of the works.  The response from the magazine’s readers was overwhelming.  People want to see more of this kind of primal undiscovered poetry that is hidden and unknown to outsiders. It has touched me deeply and makes excellent meditation material.

As a writer I am taking on new subjects.  My poems are still simplistic, but I am stretching to find subjects, characters, and perhaps real events that spark my imagination.  I have considered how fresh and essential the landays are because of the restrictions of illiteracy and the need to remain anonymous.  They are wisecracks, jokes, and political farce all rolled into a few words, like a comic distillation of the concept.  Like the work of Dorothy Parker which I am reading, admire, and want to emulate, these jokes are intricate and require some practice to make them work.  They pack a lot of editorial punch into 22 syllables, as Mrs. Parker did in her short witty quips.  Subjects that are taboo can be handled with humor in such a way as to make emphatic points without confronting issues directly.  The discovery of landays and the women who create them leads me to want to take on more difficult subjects.  Politics, art and poetry overlap in any era, and the result can be revealing.  I am working to develop some good cosmic jokes that resonate with my gentle readers on many levels.

As a practice writing poems is revealing and confidence building. I take zero risks typing away on my iPad saying anything that pops into my mind.  In comparison to the Pashtun ladies I suffer very little for my art.  I can publish it, tweet it, change it, illustrate it, and it is free to travel wherever people care to read it.  I am starting to have an appreciation of the opportunity as well as the responsibility that situation creates.  I wonder if I can say something funny and profound that has the power to stick in the mind and change it.  For me the ROW80 challenge continues to be more about what I read and learn than it is about what I am writing now.  The stepping stones to better work are contained in the works of other poets.  They inspire me to look for subjects that matter.

poppy

poppy

What is Landay? Pure Poetry

March 6, 2015 2 Comments

The book I am the Beggar of the World is a collaborative effort by Eliza Griswold and Seamus Murphy.  Last night at the U of A Poetry Center Seamus was present for the opening of an exhibit on the book.  He spoke to the audience about the process they had followed to find the landays in the book. He explained the cultural significance and historical tradition of these spoken couplets specific to Pashtun women in Pakistan and Afghanistan.  The two journalists had served in the region as reporters.  They wanted to bring a deeper insight into culture and life than they could offer in a news story.  Their investigative trip involved finding women who know the poems and convincing them to share them.  Ms. Griswold handled the interview tasks while Mr Murphy shot photos and video footage of the region.  They did not attempt to shoot the women reciting themselves for various reasons. This poetry is spoken, forbidden, and often critical.  Any image of the women identified with landay might cause them great danger.

There are about 40,000 landays in use at any given time.  They are 22 syllables, 9 in the first line, and 13 in the second.  They are general statements on life from a woman’s point of view.  They remind me of the Mexican dicho, a short philosophical statement that explains the situation at hand.  My favorite dicho (saying) is, “Cuando hay dinero baila el perro.”  When there is money the dog dances (anything is possible).  Landays do sometimes contain great humor, but in general I think they are more haunting and pithy than  dichos.  Here is one example translated into English: “When sisters sit together, they always praise their brothers.  When brothers sit together they sell their sisters to others.”  The repression of women is a theme, since this real problem plagues family life.  The landay is a way to express emotions as well as outrage at the political systems that are unfair to women.

One of my favorite poets, Piet Hein, wrote short works like these called Grooks.  He started in Danish, and worked his way into English.  The reception last night was catered with beautiful food and wine for the guests.  They had outrageously  ripe strawberries and chunks of fresh  pineapple, which I enjoyed immensely while standing in line to purchase a copy of the book.  I was reminded of what may be my favorite poem of all time, a Grook. “Love is like a pineapple, sweet and undefinable.”  I had amazing dreams in my sleep last night.  I was wandering around in some other ethnic zone searching for poets, just like in the book.  I found some and there was great dreamy party about saving the poems and being anthropologically correct.  I was in a fancy tent with a spread that look suspiciously like the food at the reception.  I woke up with no pineapple, but a distinct taste of liberation in my mouth.  I have my copy of the book to savor and enjoy.  I would recommend it to anyone.  This is a story of inspiration from history and daily life.  The most important thing to remember about them is that their authors are illiterate. This sentiment is shot straight from the heart with no filter, publisher, or even permission.  This is the birthplace of all poetry.  Edited over centuries, these couplets reflect an accurate and poignant view of Pashtun women and their culture.  I believe any reader would enjoy the book.

book cover

book cover

 

 

Sarah E Hughes, Daughter of the Confederacy

February 24, 2015 3 Comments

Shiloh Baptist Church

Shiloh Baptist Church

My second great grandmother was born in Alabama.  Her parents came from Mississippi and they owned slaves.  In the 1840 census, when Sarah was 11 years of age, her mother was already dead.  Her household contained 4 white persons and 44 slaves. 27 of them were involved with agriculture.  I guess they grew cotton.

In 1845 Sarah’s father died and she married Thomas Armer, my 2nd great-grandfather.  She had 13 children, 8 of whom were still alive in 1900.  My great-grandmother was her oldest daughter. In 1850, when her daughter was 3, she and her husband lived in Lowdnes County, Alabama.  Her husband’s occupation was listed as overseer.  Everyone on the census page is either a planter or an overseer by trade.  This is extremely creepy because they must be growing cotton and Thomas Armer was a slaver overseer.  This was the time in which they lived, but it seems like such an outrage to think about it.

1860 census

1860 census

The Black Panther Party was born as the Lowdnes Country Freedom Organization.  In 1965 the county was 80% black, but not a single black citizen was registered to vote.  Between 1850 and 1965 not that much had really changed.

lowdnes county

lowdnes county

 

By 1860 the family had moved to Old Town Dallas, and  Thomas was listed as a farmer.  No planters are listed on the page with them.  Engineers, physicians, and other farmers are their neighbors.  No slaves are listed in the household.  I think they have moved away from plantation life and started to farm for themselves. When the war broke out Thomas was conscripted to work in the Shelby Iron Works steel mill from 1861-1865.

Shelby Iron Works

Shelby Iron Works

After the war in 1870 the Armers moved to Waller County in east Texas, traveling in ox carts with their extended family.  In 1871 they founded the Shiloh Baptist Church with other veterans of the war in the membership. Thomas died in August of 1900 at the age of 75, leaving Sarah a widow.  She applied for a Confederate pension based on his service:

Confederate pension application

Confederate pension application

 

Sarah E Hughes (1829 – 1911)
is my 2nd great grandmother
Lucinda Jane Armer (1847 – 1939)
daughter of Sarah E Hughes
George Harvey Taylor (1884 – 1941)
son of Lucinda Jane Armer
Ruby Lee Taylor (1922 – 2008)
daughter of George Harvey Taylor
Pamela Morse
I am the daughter of Ruby Lee Taylor

Sarah is buried with her husband and some of her children at the Shiloh Baptist Church, in Prairie View, Waller County, Texas.

#ROW80 Peachy

February 18, 2015 9 Comments

ROW80

ROW80

Spring has sprung here in Arizona.  We have another month of daily ruby red grapefruit harvest, which is my favorite crop of the year. I juice them and think they do wonders for my health.  Since we have had a very mild winter, with the exception of a harsh freeze that ruined some plants, the trees are in bloom early.  This can mean that we will be sure to have an early crop of peaches, or it could mean that survival is all the more tricky since we may dip back down in temperature before the fruits can ripen. Gardening requires both close observation and plenty of patience.  Nature sometimes thrills us with the delicious outcome of our labors, but just as often some pest or weather storm renders our efforts useless.  I have had some kind of garden for all of my adult life.  I have had a revelation about gardening and writing that I want to share with you in this post.

IMG_3291

IMG_3304

  • The garden is comprised of organic materials, rotting and feeding the soil
  • If we ignore weeds they will overcome and kill the plants we hope to harvest
  • Pruning, thinning, and dead heading are necessary for healthy plants
  • Volunteer plants are often the strongest and most abundant because they chose their own spot

Now that I am regularly spending time listening to and reading poetry I see that a well manicured garden resembles a well tuned and well edited piece of writing.  Even though all the writers have different styles, I notice that the choice of words as well as the way the sound works has been nurtured and fed.  Some of the initial choices have been eliminated, just as weeds are pulled and mulch set on the ground to keep them from returning.  The editing process creates a stronger work just as thinning makes larger sweeter peaches.  Keeping every one of the fruits is penny wise and pound foolish.  After the muse brings the word or the subject or the image to light, the writer must work the creative mental soil, feed the story, and decide when and where to trim for effect.  The volunteer plants and some of my current work have something in common. Although they have not been fully worked, or given time to evolve into something more complete, they grew up naturally from a seed that had fallen in the past.  Like yellow pear tomatoes, this natural offspring of my imagination, can turn out never ending butterfly psyche poems, if left undisturbed.

Spending more time taking notes, spinning rhymes, and considering new territory for my writing I am pleased with all I have learned.  My #ROW80 mates have inspired as well as instructed me in ways I had never expected.  Thanks to all of you.  I have found a great resource to consult that some of you may also enjoy.  The U of A Poetry Center, of which you have heard me tell, has a library of recorded readings called voca.  Poets read from their work and explain some of the process they used.  This has opened my eyes to the many devices and forms that might be used to write a poem. Everything can be used as inspiration, and any writing has the possibility of becoming great, if edited with sensitivity.

 

Sense of History and Humor #ROW80

February 4, 2015 3 Comments

 

My study of poetry and the lives of poets has enlightened as well as encouraged me to continue my poetic practice.  I also loved hearing the news about the secret manuscript discovered that was written by Harper Lee, famous reclusive author.  The story of her one big hit, To Kill a Mockingbird, followed by a life out of the public eye entirely is compelling.  She never spoke to press people, but her sister did.  Now that her sister has died this old copy of a typewritten story was found in the safe deposit box attached to the original of the published novel.  It is super romantic because her fans have hoped to make her write again, but she had done it even before they knew her work.  Truly a blast from the past for all involved, the publication with cause all manner of excitement.  It has captured my imagination about finding the writing of my ancestors in the safe deposit box of history.

I found a poem about writing that has a deeply funny sense of humor.  Anne Bradstreet, my 9th great-grandmother, wrote a poem to her published book in which she describes the work as a child of hers.  Although her work is usually pretty serious, this one strikes me as not only funny, but also prescient.  The book of which she speaks made her a famous person in the history of poetry, but she is both humble and comical in her description of the work:

The Author to Her Book

Thou ill-formed offspring of my feeble brain,
Who after birth did’st by my side remain,
Till snatcht from thence by friends, less wise than true,
Who thee abroad exposed to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call.
I cast thee by as one unfit for light,
The visage was so irksome in my sight,
Yet being mine own, at length affection would
Thy blemishes amend, if so I could.
I washed thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretcht thy joints to make thee even feet,
Yet still thou run’st more hobbling than is meet.
In better dress to trim thee was my mind,
But nought save home-spun cloth, i’ th’ house I find.
In this array, ‘mongst vulgars may’st thou roam.
In critic’s hands, beware thou dost not come,
And take thy way where yet thou art not known.
If for thy father askt, say, thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.

Anne Bradstreet's poems

Anne Bradstreet’s poems

I really get the way she edits and finds more fault.  She calls her book a bastard and herself poverty stricken, which I think she knows is a joke. She warns it to stay away from critics, then lets it go.    By animating the book to human stature she paints a picture of an underprivileged child, some awkward and unpolished brat.  At the publication (return) her blushing was not small.  She was proud to be published, and yet as a Pilgrim could take no personal credit for the art.  This has become my favorite work by Mistress Bradstreet because I clearly relate to her sense of comedy.  In 1678 some of her work was published posthumously.  She was, in a certain sense, a feminist.  Now we learn she was also something of a comic, concerned about the cosmic.

Birth: 1612 Death: Sep. 16, 1672 Poet.

Born Anne Dudley to nonconformist parents Thomas Dudley and Dorothy Yorke Dudley in Northampton, England. Her father was the steward for the Earl of Lincoln and afforded his daughter an unusually complete education. About 1620 she married Simon Bradstreet, her father’s assistant. On March 29, 1630, Bradstreet and her family sailed for the New World. After several years, they finally settled on a farm in North Andover, Massachusetts in 1644. Simon Bradstreet became a judge, royal councilor, and twice a governor of the colony. Anne Bradstreet became mother to eight children and wrote only privately. She was frequently ill and apparently developed a vaguely morbid mind set and was continually distressed by the culturally ingrained condescension toward women. Her first public work may well have been the epitaph she penned for her mother in 1643. Four years later, her brother-in-law carried a collection of her poems with him to England where he had them published. They appeared as ‘The Tenth Muse Lately Sprung Up in America, By a Gentlewoman of Those Parts’ in the New World in 1650. While it did sell in England, the volume was not well received in Massachusetts. Although she continued to write for herself and her family, no more of her work was published in her lifetime. She was purportedly buried in the Old Burying Point in Salem, Massachusetts beside her husband, though other locations for her grave have also been proposed. In 1678 her ‘Several Poems Compiled with Great Variety of Wit and Learning’ was posthumously published followed by ‘The Works of Anne Bradstreet in Prose and Verse.’ She is now considered the earliest of American poets and among the finest of her age. (bio by: Iola)

Now that Anne is a little bit funny she is a better poetry muse to me.  Dorothy Parker, as my muse, as nixed the whole #Trwurse and #Twessings concept.  She did wonderful intricate play on words before twitter and is not at all amused by the substitution of tw to indicate twitter being witty.  She is right, of course.  Nursing mothers are already occupying the #Twursing hashtag, as is the PGA.  Back to the word board, sans #tw.  I still like the blessings and curses for twitter, but am now inclined to call them just that.  I have also realized that February is the perfect time to write short and funny rhymes..on Valentines.  I feel okay about breaking out of my impersonal poetic rut because I have written a food poem and one Valentine that are in new territory.  I have not said anything very funny yet, but think I will sometime soon. I aspire to write jokes that would be understood hundreds of years into the future, in case they are discovered, but still be funny now.  Contrived twitter words will not be funny enough to last hundreds of years, but will seem like Olde English does to us now.  Best to go for eternal when crafting a joke or a pun….

ROW80

ROW80