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mermaidcamp

Keeping current in wellness, in and out of the water

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Equal Opportunity Profession, Poet

January 18, 2015 12 Comments

ROW80

ROW80

My adventure into poetry continues, and the plot thickens. I learn about the lives of poets from my podcasts and reading. I am highly encouraged by the diversity found in the population. Any and every kind of person has written poetry in the past, and the platform only expands now. There were people who worked in mundane industry who took up writing after retirement and found smashing success. There are prisoners, idealists, and students working diligently to create verse and other written art forms. Many of my fellow writers involved in #ROW80 have years of experience and much more instruction under their belts as poets. This feels like a good place to learn from those who have already mastered and shared words carefully placed and edited, intended to express something beyond what the reader can see.  I notice that I might be better instructed by poems that do not suit my fancy than by those I instantly like. I also notice my subject matter is similar every time I work on my poetry.  I am like Claude Monet and the water lilies, just can’t stop.

I see merit in making series or building on a theme, but in a couple of weeks of daily poetic practice I seemed to be pleasantly slipping into a rut.  My drawings are mostly stylized butterflies, and the poems related dream images and psyche flying around the world bringing messages to daytime consciousness.  I did say I was not entering this practice to be self critical, but I did need to nudge myself to move beyond the butterflies and tell some kind of poetic story.  All the poems I hear and read show contrast and variety, while mine are running flat in a straight line, going nowhere.  I aspire to be like Monty Python and Dorothy Parker, yet my current offerings look like rorschach tests with  brief captions in explanation of my personality. I do hope we can improve on that.

I made an attempt to write a witty little ditty about the execution of my famous poet ancestor as a story.  This truly haunted my dreams and daily life for a couple of days after I learned about the incident in history.  We know details of his life and death because he was an aristocrat.  We even have several portraits of him.  Reading his work and imagining his last 6 days in the Tower of London in January freaked me out to the bone.  I skipped a day of poetry writing because I could not come up with any angle from which to create this story.  I know I dreamed about him, and developed sympathy for his plight, but nothing carried over into my writing.  I found that my boundaries restrict my creative muse.  My desire to capture emotions was not as great as my will to make a statement and be done.  I finally wrote a short  poem with him in mind, but it was not the big leap I wanted to take.  I have decided to keep Henry Howard with me as my ancestral muse.  I will confer with him before and after I write.  I think that by reading more of his work and keeping his memory alive in my dreams I have a chance of expanding beyond my comfort zone as it is now.

I am grateful to all the writers in the #ROW80 challenge for showing me that all of us have similar issues, both helpful and obstructive to our process.  The support and sharing within the group is a great incentive to keep the faith.  Thanks to all who check in on Sundays and Wednesdays on this adventure of ours.  I appreciate knowing we are in this as a team.  I have high hopes for all of us.

 

 

Meeting Expectations

January 8, 2015 8 Comments

cocktail that wants to be a poem

cocktail that wants to be a poem

People walk through the doors of your expectations.  This has been my belief for most of my life, and has proven to be a valid one.  I have high standards, but notice how I am much more likely to apply them to others than to myself.  I do set goals and make commitments, but not usually in a public way.  This is why the #ROW80 challenge is perfect for me.  I have set myself an expectation of working more creatively and do a daily bit to achieve that goal.  I want to practice being more poetic in all aspects of life, so the drawing, photography and poetry are intended to build on themselves .  I expect to become more observant in all aspects of my habitual life. There are already a few good results:

  • I have kept my dream diary daily, concentrating on the words I associate with my dreams
  • My daily drawing practice (digitally assisted) is enjoyable. I warm up for the day by making visual art
  • I have written short poems to go with the art, inspired by the experience of creating it
  • My attention has expanded to include all kinds of subjects for poetry that I had not considered

The addition of the art has made this exercise natural and easy for me. I have written poetry before, and even looked for art to use as inspiration.  Making the art myself  is a new and interesting way to tie my attention to a written project.  Usually I write the prose, then add the visuals.  Starting with color and form is a good way for me to see action and hue within the emotional tone I want to set.  I have not attempted to draw anything realistic.   My best work is not representational, but based on geometry and color.  I am not afraid to try, and am considering going to the botanical garden and trying to do a depiction of the cactus section.  Words to go with the cactus poem have been rattling around in my brain as a think about the idea.  Although I do publish my work, the purpose of this venture outside my normal writing style is completely personal.  I am not seeking adulation or followers.  I am curious to see if my writing practice can expand and include more comedy, enlightenment, and beauty.   So far, so good!! Now, for the poetry of others:

  • I adore Dorothy Parker, and would love to emulate her style of poetry
  • The U of A Poetry Center is holding a reading tomorrow night, and I may attend
  • I discovered I like reading the Kindle on the exercise bike, so I plan to collect poets to read while I ride
  • I will shop Amazon to discover the work of poets I do not know, and make a stop at the library

In general the poetic life is off to a fine start here.  I have also started a food preparation calendar, which I think of as an extension of poetic thinking. I want my home life, my cuisine, and my fitness regime to reflect creativity and artful planning.   The food preparation trip is actually a very good foundation because it concentrates kitchen time and frees me to wander off into the world of visual art and poetry.  I have had some funny thoughts about food and drink poems I want to write.  I think a cocktail series could be pretty funny.  Asking “What would Dorothy Parker say?” is a fabulous prompt I am using. In my heart of hearts I want the ROW80 to turn me into a glib, sophisticated observer of the details of living.  I don’t think that is too much to expect in 80 days.

cornbread that wants to be a poem

cornbread that wants to be a poem

Image and Imagination

December 30, 2014 3 Comments

psyche

psyche

psyche

psyche

Each night our psyche brings us images in dreams. We connect with them and live within the dream during our sleep. Upon awakening we sometimes lose the dream images as we file that  dream  somewhere within our unconscious and decide it is not part of our true reality.  Notice that we are within the dream while asleep, and then the images are considered to be unreal when we are awake.  We live within a gallery of art and image, dramas with set and costume, in our sleeping world.  Our awakened ego is concerned with gathering information and meaning rather than absorbing art for art’s sake.  We wake up and enter the world with an explanation for everything.  By dismissing the power of the imagination we loose the opportunity to individuate.  We diminish our own imagination by interpreting our dream images rather than interacting with them.

We run two systems in our awakened world, an economic system and a therapeutic system.  All of our activities are divided into economic obligations and challenges or curing our ills.  We are concerned with “growth” of our personal economy or “healing” our wounds.  It is easy to see the connections that contribute to the cyclical nature of this limited spiral.  What is not so simple is to break these cycles.  If our addictions are fed by information, image is converted by the mind into interpretation. The ego prides itself on its ability to interpret everything.  Since the ego determines that it alone is conscious, all the rest of reality can be fit into the unconscious basket.  The ego explains the image and then its importance is belittled.  We cease to interact with it once it has an explanation.  Imagery has no explanation.  Art and image are animate and inherently charged with insight.

I intend to respect the imagery inside of me by embracing a more poetic view of life.  By bringing focus to imagination and imagery I want to contribute to my own creativity.    I will investigate how I can interact with my psychic and artistic life through practice.  This intention can only be controlled to a certain extent, and it is not my hope to contain my psyche, but to explore it.  It has a lot to say.

Travel and Arrival

December 2, 2014 2 Comments

“Little do ye know your own blessedness; for to travel hopefully is a better thing than to arrive.”
Robert Louis Stevenson
“El Dorado” (essay)

Thanksgiving is a celebration of the travel, arrival, and survival of the Pilgrims.  The Mayflower voyage in 1620 set the precedent for many more European travelers to venture across the Atlantic to the New World.  Desire and curiosity are the two eyes, Robert Louis Stevenson says in this essay, of  human nature.  It took a great deal of both to decide to sail to America to practice religion.  They had aspirations to convert the locals to their way of worship in the same way the Crusaders thought they needed to conquer the Holy Land.  They were invaders who, like the Spanish Conquistadores, saw themselves as saviors rather than brutal destroyers of culture.  The believed in the superiority of their own orthopraxy, and set about building a hierarchy to enforce religious orthodoxy as they saw fit.

All of us have built rigid obstacles into our lives without intending to do so.  For many people nationalism contains beliefs that our own superior country is infallible.  This creates national enemies of whom we know little, but are encouraged to conquer for the good of mankind.  These beliefs enflame emotions and distract us from contentment.  They also overshadow our own mortality and our individual mission and talent.  We must follow our desire and curiosity to develop our skills while we are alive because our time as humans is limited.  Our journey is individual because each of us creates our own version of El Dorado, the mythical place of great abundance.  We also actively create our own hellish conditions, both real and imaginary.  If you have traveled or had visitors from out of town during the holiday week you joined in a mutual vision of never-ending abundance. Some of you endured hardship on the journey, perhaps not like the Mayflower Pilgrims, but unpleasant nonetheless.

“There is only one wish realisable on the earth; only one thing that can be perfectly attained: Death. And from a variety of circumstances we have no one to tell us whether it be worth attaining.” Mr Stevenson concludes in his essay praising the pursuit of ultimate land of plenty.

A wishlist for travelers:

  • Comfort
  • Joy
  • Generosity
  • Discernment
  • Peace
  • Love

Bon Voyage, gentle readers.  May your trip be merry and bright.

Trading Places at The Sonoran Glass School

November 21, 2014 2 Comments

Last week I attended a very special event at The Sonoran Glass School in Tucson.  The auction and live art in the making was designed as a fundraiser for the non-profit school.  By inviting artists and others to design a piece of glass art to be executed by the students and faculty of the school they added an extra layer of creativity to the pieces.  Lupin Murillo, a local broadcaster, designed a high heeled shoe with fancy trimmings.  The fun really heats up when they auction the piece off before it is finished.  The shoe was well received and fetched a nice price in the auction.  The next live creation was done by a well-known photographer in Tucson, Bill Lesch.  I had an excellent seat to see the forming of Bill’s globe.  It was blown and shaped by the glass artists, with manipulations and creative decisions made by Bill.  The collaboration had 4 people involved full-time in the making of the piece.  Non-stop action and careful choreography was a real thrill to watch.  I was sitting so close that I had to remove a layer of my outfit because I was right in the hot seat near the fire.  It was exciting and unlike any event I have attended in the past.  I will go again if they hold it next year.  The food was catered by Blu, and was out of this world good. The items for auction were diverse examples of the breadth of glass art.  I enjoyed seeing all of the work and meeting some of the artists.  I am now interested in joining and taking some classes.  The school is a great asset to our community.  Our next flaming glass art event will be the Flame Off at the Fox Theater, the high point of Gem Show.  If you have not seen a live glass event, I urge you to try one.

Copper Art Museum in Clarkdale, AZ

October 7, 2014 1 Comment

One highlight of my recent trip to the historic and supposedly spooky Historic 89A from Cottonwood to Jerome was the new museum housed in the old Clarkdale high school. This old building with giant windows lets in an abundance of natural light. This is really the perfect place to display copper. Jerome, the mining town up the hill, is a famous ghost destination and artist colony. There was a very large copper mine that brought wealth to the town. The family that has started the museum owns a copper shop in Jerome. They rent the ground floor of the high school building, and rent the upstairs to residential tenants who serve as security at night. I think it is a great gig to live upstairs because the view, the location, and the fact that the copper art is always downstairs make it uniquely attractive.

The very extensive military and kitchen collections are on permanent loan from private collectors. There is a temporary collection of antique tin cookie forms, mostly Santas, but bunnys and other holiday shapes as well. I learned a lot from the extensive charts and informative posters. The museum covers the history, the myth and meaning, the mining, and the art that resulted. I love the look of copper, but appreciate the other qualities it has, such as antibacterial. Everything is covered well and the staff (owner) checks in frequently to see if the patrons have questions about the exhibits. I saw him take great care and a lot of time when kids were visiting with parents. There is no formal tour, but the space is small and the guest is invited to ask for more guidance. I normally spend an extra long time in museums, and this was no exception. I was fascinated and needed to look at all the detail. I noticed other patrons were also sitting down and spending time looking deeply at the displays. One of my favorite rooms contains spent artillery shells from WWI that were turned into “trench art” by soldiers. I believe anyone would enjoy seeing this museum. It has artistic and historic value displayed in a place that makes it shine. If you are in the Clarkdale area to ride the train, don’t miss this awesome museum just around the corner from the train station.

Distracted or Connected?

June 2, 2014 2 Comments

palo verde

palo verde

The options we have for communication now boggle the mind.  Some minds seem to be desperately boggled by what it takes to tell a story or get a message out to the world today. It is easier than ever because of all the free platforms we can use. It is harder than ever to reach individuals because the competition has grown to include just about everyone on earth. Our message must be not only short and sweet, but must also strike a universal chord.  Leonardo da Vinci, especially toward the end of his life, often wrote about thinking in reverse: “Consider first the end.” and “Think well to the end.” were examples of his frequent statements on this subject. Leonardo left us with designs for flying machines and engineering that had not yet been proven when he died.  His legacy is his art, certainly.  He also left us a very strong and lasting gift of his philosophy.  His practice of connessione refined his sense of mysticism and wholeness.  He sought and found deep connection with all creation that inspired his work.

If you feel connected in a big way, or to a power larger than your own, confidence and ease are natural.  On the other hand, if you feel disconnected from something greater it is possible to entirely loose touch with a realistic self image.  We do not hold onto the same ideas or ideals for our entire life.  The concept of connection may replace true connection, or maybe we always felt like we were separate and drifting.  Now we can substitute chat/tweet/youtube views for personal relationships.  The illusion that these clicks and likes make us part of a clubby group might just be the ruin of true connecting. Take a look at your physical worldly connections (so to speak) and how they relate or substitute for spiritual contact.  I don’t think you need to join a religion or go to a certain building to make contemplation and meditation a part of your own practice.  I feel connected to spirit whenever I:

  • listen to almost any music
  • dance
  • sing
  • use color in a creative way (cook, paint, sew, combine,etc)
  • observe the heavens at night
  • immerse myself in water
  • watch the surf
  • hear poetry
  • write poetry

This list is only a partial, and ever changing accounting of my own ways to notice connessione, or systems.  Once you start to think about it you find that everything does depend on everything else, and we are all connected.  If you feel distracted and want to center your thoughts, remember all the ways the universe has collaborated to create you and keep you alive.  The systems that create us also sustain us.

aloe

aloe

Wings of Steel

May 2, 2014 1 Comment

This is how steel is turned into feathers.  Jerry W Harris is a sculptor in Tucson Arizona with a special affinity for  birds.  His realistic aviary is not only anatomically correct, but also portrays action and interrelationship in every piece. He is working on a sculpture in which one quail will be taking off to fly.  It is fascinating to see the process of making the heavy metal appear to be as light as feathers.  It requires awesome skill, and as he explains, some knowledge of worthy shortcuts. He has perfected his realism by study of bird anatomy.  He is serious about details, including realistic behavior.  I think it is fun to watch the detail as it takes shape.

LumenArt Class

April 26, 2014 1 Comment

Yesterday I enjoyed making art in a new way with Jeanne Fellow at Blue Raven Art School.  I had visited her studio and purchased a couple of her beautiful pieces and learned about the LumenArt class.  My classmate Jeannie Gentry had done exactly the same thing.  We both were very excited to try our hand at making one of these very special lamps.  Our 5 hour class went by very quickly.  Everything was set up for us on the shaded patio.  Each of us had our own work table and basic tools.  After a thorough demonstration of the basic techniques we chose colors and started our own experiment in color mixing. Some of the inks are iridescent, but those also block the light from within when it is a finished LumenArt. The fun of it all is that you don’t know how it will really look until you light it.  Jeanne encouraged us to feel free and confident to play around.  Both students created three possible candidates for lighting.  The class materials include two sheets of incredible paper that allows all kinds of layering and special techniques without tearing.  We each bought one extra sheet because we had enough time and were seriously into it.  When dry we selected one to become our lamp. Choosing color for the base and tearing the final design we had supervision and plenty of encouragement from our teacher.  This project is practically impossible to do badly.  The materials guarantee that the finished product will be thrilling.  She teaches a class in using these techniques on fabrics that will also be fun.  If you are an experienced artist/craftperson you will love this class.  If you think you are not creative and have no talent for art you will be blown away by your own amazing abilities when Jeanne shows you how to release them.  My LumenArt is now making me very happy and proud in my living room at home.  I also have two other fabulous pieces of art that I made.  I even love my scraps.  I would encourage anyone to investigate creativity and find your own inner light in one of Jeanne’s classes.  She rules.

Pottery as Poetry, Janet Burner

April 6, 2014 1 Comment

 

I recently reread  the book Centering by Mary C Richards, a potter. In it she waxes very poetic about the subject of pottery. When I was covered with mud I considered Ms Richards to be  fluffy and woo woo. About 35 years later I see how centering clay on a wheel is sheer poetry. I also notice my own approach to centering, which has never left me. I now like to center my body from the core in deep water, using tubular units for balance.  This month as I attempt to write a poem a day I searched my memory for inspiration.  Janet Burner, queen of all alchemists and artist of great skill and talent, popped into my mind.  She has awesome technical skills and an alliance with fire like nobody I have ever seen.  I like fire myself and enjoyed my time as a kiln queen.  Janet has perfected various styles of firing to add variety and excitement to her work. She has always been famous for her raku.  Now she has evolved other techniques, both modern and ancient, to bring her work to life.

In the kiln the pot is actually born.  Just like an animal at birth, it also has a chance of dying.  Potters must accept that some work will crack or be ruined in the firing.  They must also accept that pottery is breakable, and glazes can only be controlled to a certain extent.  Intimate knowledge and wisdom of the firing process results from practice and experimentation.  I think of Janet Burner as the ultimate goddess of the fire.  We talked about how ironic it is that her last name is Burner, both because of fire and because one of the oldest techniques used in finished ceramics is called burnishing.   Her work today is created in a wonderful studio full of light, love, and art that she built herself.  The artful courtyard garden serves as a gallery to display her work.  She continues to teach at the Tucson Museum of Art School and grace our community with her participation in the Pima Arts Council Open Studio Tours.  Next weekend you can visit artists and see their studios all over Tucson.  This is an excellent way to find art and artists.