mermaidcamp
Keeping current in wellness, in and out of the water
You can scroll the shelf using ← and → keys
You can scroll the shelf using ← and → keys
My study of poetry and the lives of poets has enlightened as well as encouraged me to continue my poetic practice. I also loved hearing the news about the secret manuscript discovered that was written by Harper Lee, famous reclusive author. The story of her one big hit, To Kill a Mockingbird, followed by a life out of the public eye entirely is compelling. She never spoke to press people, but her sister did. Now that her sister has died this old copy of a typewritten story was found in the safe deposit box attached to the original of the published novel. It is super romantic because her fans have hoped to make her write again, but she had done it even before they knew her work. Truly a blast from the past for all involved, the publication with cause all manner of excitement. It has captured my imagination about finding the writing of my ancestors in the safe deposit box of history.
I found a poem about writing that has a deeply funny sense of humor. Anne Bradstreet, my 9th great-grandmother, wrote a poem to her published book in which she describes the work as a child of hers. Although her work is usually pretty serious, this one strikes me as not only funny, but also prescient. The book of which she speaks made her a famous person in the history of poetry, but she is both humble and comical in her description of the work:
Thou ill-formed offspring of my feeble brain,
Who after birth did’st by my side remain,
Till snatcht from thence by friends, less wise than true,
Who thee abroad exposed to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call.
I cast thee by as one unfit for light,
The visage was so irksome in my sight,
Yet being mine own, at length affection would
Thy blemishes amend, if so I could.
I washed thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretcht thy joints to make thee even feet,
Yet still thou run’st more hobbling than is meet.
In better dress to trim thee was my mind,
But nought save home-spun cloth, i’ th’ house I find.
In this array, ‘mongst vulgars may’st thou roam.
In critic’s hands, beware thou dost not come,
And take thy way where yet thou art not known.
If for thy father askt, say, thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.
I really get the way she edits and finds more fault. She calls her book a bastard and herself poverty stricken, which I think she knows is a joke. She warns it to stay away from critics, then lets it go. By animating the book to human stature she paints a picture of an underprivileged child, some awkward and unpolished brat. At the publication (return) her blushing was not small. She was proud to be published, and yet as a Pilgrim could take no personal credit for the art. This has become my favorite work by Mistress Bradstreet because I clearly relate to her sense of comedy. In 1678 some of her work was published posthumously. She was, in a certain sense, a feminist. Now we learn she was also something of a comic, concerned about the cosmic.
Birth: 1612 Death: Sep. 16, 1672 Poet.
Born Anne Dudley to nonconformist parents Thomas Dudley and Dorothy Yorke Dudley in Northampton, England. Her father was the steward for the Earl of Lincoln and afforded his daughter an unusually complete education. About 1620 she married Simon Bradstreet, her father’s assistant. On March 29, 1630, Bradstreet and her family sailed for the New World. After several years, they finally settled on a farm in North Andover, Massachusetts in 1644. Simon Bradstreet became a judge, royal councilor, and twice a governor of the colony. Anne Bradstreet became mother to eight children and wrote only privately. She was frequently ill and apparently developed a vaguely morbid mind set and was continually distressed by the culturally ingrained condescension toward women. Her first public work may well have been the epitaph she penned for her mother in 1643. Four years later, her brother-in-law carried a collection of her poems with him to England where he had them published. They appeared as ‘The Tenth Muse Lately Sprung Up in America, By a Gentlewoman of Those Parts’ in the New World in 1650. While it did sell in England, the volume was not well received in Massachusetts. Although she continued to write for herself and her family, no more of her work was published in her lifetime. She was purportedly buried in the Old Burying Point in Salem, Massachusetts beside her husband, though other locations for her grave have also been proposed. In 1678 her ‘Several Poems Compiled with Great Variety of Wit and Learning’ was posthumously published followed by ‘The Works of Anne Bradstreet in Prose and Verse.’ She is now considered the earliest of American poets and among the finest of her age. (bio by: Iola)
Now that Anne is a little bit funny she is a better poetry muse to me. Dorothy Parker, as my muse, as nixed the whole #Trwurse and #Twessings concept. She did wonderful intricate play on words before twitter and is not at all amused by the substitution of tw to indicate twitter being witty. She is right, of course. Nursing mothers are already occupying the #Twursing hashtag, as is the PGA. Back to the word board, sans #tw. I still like the blessings and curses for twitter, but am now inclined to call them just that. I have also realized that February is the perfect time to write short and funny rhymes..on Valentines. I feel okay about breaking out of my impersonal poetic rut because I have written a food poem and one Valentine that are in new territory. I have not said anything very funny yet, but think I will sometime soon. I aspire to write jokes that would be understood hundreds of years into the future, in case they are discovered, but still be funny now. Contrived twitter words will not be funny enough to last hundreds of years, but will seem like Olde English does to us now. Best to go for eternal when crafting a joke or a pun….
I have told a few people in the last week that I am a poet. I believe I am trying it out to see if I like the title because I don’t think of myself as a poet. First I explained to my fiduciary who handles my investments and gives me advice for retirement that my most important interest at the moment is poetry. He knows, since we do split the money he makes in the market, that I am interested in his best performance with little or no chit-chat. He has incentive to do that since his own profit is tied directly to mine. He is not a stock broker, but has a fiduciary responsibility to me for which I pay him a percentage of the profits. I switched to this arrangement before the last presidential election because it all felt too volatile and risky. Since he has done a bang up job I feel secure to trust his future work on my (our) behalf. My debt free, secure financial position is one reason I can dabble with being a poet. I have arrived at a time in my life during which I can reflect and use my talents in any way I choose. Now that I have told the fiduciary I am a poet he is convinced I will not be producing any more income during my lifetime. I am fine with that because it puts the pressure on him to make sure I never become a staving artist.
Last night I told a friend I have known for many years who came over for a drink and conversation. He is visiting from out-of-town, so we had news about our lives to share since our last reunion. After he left I was kind of surprised that I had told him about the poetry writing at all, let alone describe myself to him as a poet. I did make it clear that although I publish it daily I am not promoting it per se because it is not very well-developed. I am not ashamed of it, but I have no pride in it either. It is a practice and a new persona. I told him I admire and want to emulate Dorothy Parker. He recited a couple of her witty lines. I am not sure how sincere he was, but he told me that I am like Dorothy Parker. We were laughing and joking together all evening, so this was part of the fun. In retrospect I am giddy about being compared to her, and this little exchange has given me new hope about my poetic prospects. With some work I do believe I can be witty, satirical, and poetic all at the same time. I have loaded up two books by Dorothy into my Kindle and pre-ordered another about her life, Dorothy Parker Drank Here, by Ellen Meister. Now I am carrying with me two poetic muses, both ghosts. Henry Howard represents Tudor England and Mrs. Parker post WWII New York City. That should cover everything.
It is in the spirit of Mrs. Parker that I am working on curses and blessings suitable for twitter. They must be short and pithy. I am calling them #Twurses and #Twessings. Join me if you like. I think there is a market. It is a bit of haiku in 130 characters, ideal length. I think rhyming makes it memorable. #Twurse the snow and howling wind, Super Bowl parties must begin. I am sure I can warm up and do better than that. Thanks to all the #ROW80 writers who have taught me to have a good time and just do it, as they say at Nike.
I have managed to slip out of my creativity rut, just a bit. I admire the way so many writers in this program work on several books or projects at once. I rarely start a post that I do not finish in a day, so this longer attention span on a written piece is intriguing. I heard an interview on PBS radio with a professor of creative writing. He shall remain nameless, in part because I do not remember his name. He described two distinct ways of working on a story. He starts by just grinding out the words, and later in the day he edits them. He says the later session in which he edits can be relaxing and easy. I see this advice as a basic guide for me to expand my ability to tackle different subjects and new kinds of forms. I not only need to just do it, as they say at Nike. I also need to just edit it. I have written poetry this week that is not all about soul and butterflies, so that is a start. I spun a little story into a poem about real life. This is something I might try with matching prose and poetry posts. Starting with beheading was just too tricky, but I did relate to my grandmother’s craft work and extreme busy-ness with a short tribute. I still reserve judgement because I have not been doing this for very long.
Two goals are eluding me, but I think I can find ways to accomplish them. I want to be loyal to my dream journal by writing before I get out of bed, or even stir. This worked well for a while, but during the last week my dog, who has end of life issues, needed me to let her out during the night 4 or 5 times, including first thing in the morning. I can keep a little bit of the memory while I walk down the stairs and give her the relief she needs, but it is difficult. I have tried to capture specific words and colors from dreams to inspire the poems. I am sad about the kidney failure of my darling dog, so a certain sorrow takes over as soon as I think about how often she needs to go and how much water she is drinking. She has had a good life, and is not in pain, but this is a shadow covering the early morning dream memory. Maybe I need to write about my dog. I have also failed to physically visit the U of A Poetry Center. I keep planning to dedicate Friday to Venus, to revere all things of beauty and love. I think sitting around the Poetry Center reading is a total dedication to beauty, but my daily routine has not capitulated enough to allow this to occur. I will overcome, although maybe not on a Friday. I know that once I establish a habit, a ritual, I will enjoy it. I do love the podcasts and the apps that read to me in the comfort of my home, but I believe the pilgrimage to the poets’ place will change my perspective. I am not taking these failures too much to heart because the whole point was to write poems, and I am doing that. Onward and upward..
I am chiming in one day later than some because yesterday I made a stunning discovery in my family tree. I do think that since many of my real family members have been the subjects of fiction and even operas and poems, I should look more closely at making stories based on fact, or even on imagination. These characters are already alive in my thoughts and dreams and do some predictable stuff. I enjoy all the time I spend learning about the family facts and the supporting evidence. I notice that fiction writers develop their characters out of thin air, perhaps with a culture or time in history in mind. I can start with facts and the skeleton of what is known to make my stories real. I can also write about my dog and stop whining about my precious dream journal. Soon enough she will be only in my dreams. Now is my chance to see her in real life and help her with her dreams.
My adventure into poetry continues, and the plot thickens. I learn about the lives of poets from my podcasts and reading. I am highly encouraged by the diversity found in the population. Any and every kind of person has written poetry in the past, and the platform only expands now. There were people who worked in mundane industry who took up writing after retirement and found smashing success. There are prisoners, idealists, and students working diligently to create verse and other written art forms. Many of my fellow writers involved in #ROW80 have years of experience and much more instruction under their belts as poets. This feels like a good place to learn from those who have already mastered and shared words carefully placed and edited, intended to express something beyond what the reader can see. I notice that I might be better instructed by poems that do not suit my fancy than by those I instantly like. I also notice my subject matter is similar every time I work on my poetry. I am like Claude Monet and the water lilies, just can’t stop.
I see merit in making series or building on a theme, but in a couple of weeks of daily poetic practice I seemed to be pleasantly slipping into a rut. My drawings are mostly stylized butterflies, and the poems related dream images and psyche flying around the world bringing messages to daytime consciousness. I did say I was not entering this practice to be self critical, but I did need to nudge myself to move beyond the butterflies and tell some kind of poetic story. All the poems I hear and read show contrast and variety, while mine are running flat in a straight line, going nowhere. I aspire to be like Monty Python and Dorothy Parker, yet my current offerings look like rorschach tests with brief captions in explanation of my personality. I do hope we can improve on that.
I made an attempt to write a witty little ditty about the execution of my famous poet ancestor as a story. This truly haunted my dreams and daily life for a couple of days after I learned about the incident in history. We know details of his life and death because he was an aristocrat. We even have several portraits of him. Reading his work and imagining his last 6 days in the Tower of London in January freaked me out to the bone. I skipped a day of poetry writing because I could not come up with any angle from which to create this story. I know I dreamed about him, and developed sympathy for his plight, but nothing carried over into my writing. I found that my boundaries restrict my creative muse. My desire to capture emotions was not as great as my will to make a statement and be done. I finally wrote a short poem with him in mind, but it was not the big leap I wanted to take. I have decided to keep Henry Howard with me as my ancestral muse. I will confer with him before and after I write. I think that by reading more of his work and keeping his memory alive in my dreams I have a chance of expanding beyond my comfort zone as it is now.
I am grateful to all the writers in the #ROW80 challenge for showing me that all of us have similar issues, both helpful and obstructive to our process. The support and sharing within the group is a great incentive to keep the faith. Thanks to all who check in on Sundays and Wednesdays on this adventure of ours. I appreciate knowing we are in this as a team. I have high hopes for all of us.
The Round of Words in 80 Days challenge is a wonderful new experience for me. I joined last week by setting goals I intend to accomplish during the following 80 days. By joining this group I am entering a zone designed to support and entertain writers looking to learn new skills as well as improve on old ones. In the few and far between workshops I have taken in creative writing I did learn from my fellow students in many ways. First, it is comforting to see that many share the exact same creative obstacles and follies. Once we see that writing has certain difficult passages we feel less isolated. It cheers us up to find out others get stuck around the same places that we do. Many of the participants have much more experience and education, which does reflect in the way they put their words together to express themselves. It matters little how large your vocabulary is, or how much you know about crafting dialog for a story if you are out of ideas. We all have to go to the well of creativity and draw water to keep our writing alive. In #ROW80 we share this mutual idea of renewing our source of inspiration. The group is much more powerful than the sum of its parts.
My new devotion to write, read and immerse myself in poetry stems from my ancestry. I have some famous poets in my family tree. This, more than any other accomplishment of my ancestors, has made me think about my own creative legacy. I don’t care to be famous, but think it is very cool to read the handwritten poems of my famous 9th great-grandmother. They are the work of a religious Pilgrim in America, not exactly my cup of tea. I still treasure the poems because they have a life of their own, staying in publication for hundreds of years. I can hear her “voice” because she recorded it (as best she could in the 1600s). She inspires me to refine, discover, and expand my own poetic voice.
I have done the ground work I agreed to do by publishing a poem daily. This is starting to be natural. Usually I do the drawing and poem first thing in the morning, which makes me feel good. I don’t get too critical of the work, I just make an attempt to prime the pump and get a constant flow of words. I will be happy when I become more fluent and need to edit with more thought and specificity. For the present I am pleased just to keep that daily beat. I stay with the images as well as the words while I do my daily routine. I think pondering the colors and the words I have used works to inspire the next day’s creation.
My goal to expose myself to the work of poets with whom I am not familiar is made incredibly easy by the fabulous podcasts and poetry apps available at little or no cost. I have also downloaded a couple of apps that help you create poems, and even record your work. There are many good options to read and to hear. These are a just a few of the new resources for poets and poetry fans:
I am using these and a few other mobile apps to make it easy to find and lean about poets. I particularly like the translated work because the reading is done first in English, followed by the poem in the language in which it was written. I like to hear the sounds and the cadence of the original language after I know what it means. I have been pleasantly surprised by how easy and fun it is to discover poets and enjoy a variety of styles. I like the funny subjects the best.
I skipped the reading last week at the U of A Poetry Center. The schedule arrived in the mail for all the readings, events, classes and workshops to be presented in the spring semester. There is a series called the Poetics and Politics of Water which is very interesting to me. I have marked my calendar to be ready to attend all four parts of this collaboration with the American Indian Studies Program. I am also looking forward to an exhibition of photos from Afghanistan to accompany a presentation on oral folk poetry of the women of the Pashtun tribe, living on the border of Pakistan and Afghanistan. There is tremendous technical excellence built into all the work done at the Poetry Center. I cherish to the academic and aesthetic rewards of living very close to this special institution. It is my hope that with the inspiration of my dead poet ancestors and the living poets right around the corner I will be staking a claim to an identity as a writer. A lot can happen in 80 days!!
People walk through the doors of your expectations. This has been my belief for most of my life, and has proven to be a valid one. I have high standards, but notice how I am much more likely to apply them to others than to myself. I do set goals and make commitments, but not usually in a public way. This is why the #ROW80 challenge is perfect for me. I have set myself an expectation of working more creatively and do a daily bit to achieve that goal. I want to practice being more poetic in all aspects of life, so the drawing, photography and poetry are intended to build on themselves . I expect to become more observant in all aspects of my habitual life. There are already a few good results:
The addition of the art has made this exercise natural and easy for me. I have written poetry before, and even looked for art to use as inspiration. Making the art myself is a new and interesting way to tie my attention to a written project. Usually I write the prose, then add the visuals. Starting with color and form is a good way for me to see action and hue within the emotional tone I want to set. I have not attempted to draw anything realistic. My best work is not representational, but based on geometry and color. I am not afraid to try, and am considering going to the botanical garden and trying to do a depiction of the cactus section. Words to go with the cactus poem have been rattling around in my brain as a think about the idea. Although I do publish my work, the purpose of this venture outside my normal writing style is completely personal. I am not seeking adulation or followers. I am curious to see if my writing practice can expand and include more comedy, enlightenment, and beauty. So far, so good!! Now, for the poetry of others:
In general the poetic life is off to a fine start here. I have also started a food preparation calendar, which I think of as an extension of poetic thinking. I want my home life, my cuisine, and my fitness regime to reflect creativity and artful planning. The food preparation trip is actually a very good foundation because it concentrates kitchen time and frees me to wander off into the world of visual art and poetry. I have had some funny thoughts about food and drink poems I want to write. I think a cocktail series could be pretty funny. Asking “What would Dorothy Parker say?” is a fabulous prompt I am using. In my heart of hearts I want the ROW80 to turn me into a glib, sophisticated observer of the details of living. I don’t think that is too much to expect in 80 days.
I just read in a fellow blogger’s post about the ROW80 challenge. I have just started a practice to improve my writing by creating poetry and art. I had not planed to commit to a daily routine, but I am finding that starting the creative day by drawing, editing photos, and making visual art I am more likely to be observant for the day. Observant includes in this case a full attention to detail as I go through my life, and easy flawless observance of boundaries I have set. Since the group is making personal goals a shared conversation, observant will also mean that I pay attention to my fellow writers and the way they express themselves. This idea arrived at a most propitious time, since 80 days of tracking my goal of a more poetic life will give me a good jump start to a full time practice. I look forward to learning how other people contribute to this exercise.
Observe and Grow are the key words for my goal. I hope to grow my vocabulary, my skills, and my creativity by publishing art and poetry. By observing the world, as well as my dreams, I will find richer, more vibrant subjects. I tend to be a scribe, writing just the facts, and supporting the facts with some photo documentation. I still enjoy that, but feel I could do some story telling, humor, and abstract sound pieces if I develop my poetic sense. I want to see where poetry leads me. I am not seeking approval for the work as much as I am wondering what will happen when I apply myself.
For the next 80 days I will observe what happens when I write a poem each day. This is an adventure I will share. It will include:
It is my desire to explore a different way of using the written word. I think it will open new doors for my self expression. I also believe my daily life will be enriched by looking for poetic subject matter. I publish my art and poetry on my Tumblr blog, The Flow.
April is Poetry month, with many activities and projects running around the country. I have taken the challenge to write a poem every day in April for the last two years. I push my way through the writing, with a fully punched card in participation, but have not really put my full attention into the whole process. We are lucky in Tucson to have a world-famous Poetry Center at the U of A, open to the public. Each time I visit the place I tell myself I will make a regular habit of spending time there. It is an inspiring place to read, write, meditate, or take part in one of the workshops or readings. The only resolution I need to make for 2015 is to honor the poet within me all year. There is a haunting feeling in my memory and in my dreams of a productive and expressive poet I believe is within my spirit. This artist/alchemist/poet has not been nurtured as well as it needs to be. I work with words daily but am not arching to new heights or even developing a larger vocabulary. When I do push myself to write poetry daily I can feel a response in my dream world toward more color and rich dramatic story lines. It is as if there are stories, poems, maybe even novels, deeply stored in my writing practice, but I do very little to develop my ability in these realms. The poetry is essentially trapped within my lazy writing practice. I plan to liberate this struggling poetic artist next year and allow her to explore and create in new ways.
As 2015 approaches I contemplate the 3 words I will use to ground my meditation, my health, and my creativity next year. This is a practice started and promoted by Chris Brogan. I have done it before and always find the quest for the right words to be very helpful. This year I want to make some kind of significant progress as a poet and creative writer. By using these key words all year I believe I can be a better poet in April and beyond. Moreover, I think these words fit perfectly with my goals to clear out excess clutter in my home and my life. I am working on this now, cleaning out my closet before the end of the year. I can honestly say that the results I see and feel in my closet after patiently and persistently ridding myself of extraneous clothing and accessories are nothing short of poetic. Poetry has more to do with what is edited than with what remains. The fewer words used to convey an idea, the more powerful each word becomes. Now my closet is more like a haiku than an epic drama. I am feeling much better when I walk into it now.
These words fit perfectly with my health and fitness goals. Movement and variety of enjoyable physical activities create strong healthy bodies. It does not matter if time is spent playing an active sport, hiking, swimming, or yoga, the key to success is always persistence. I like to cross train, in other words, do different physical activities, to keep things interesting. This is good for the body as well as the mind. I like doing some activities outdoors, but the gym makes me very happy too. In 2015 I plan to create a fitness regime that offers me a chance to improve my levels of grace, balance, and coordination. I plan to end 2015 as poetry in motion, retaining all my flexibility and enthusiasm for fitness and health. Too much of any one thing can cause burn out or injury, so there is no need to fixate on any one aspect of health or fitness. Balance is an important element of health.
My words have meaning for me in many aspects of living. They are good universal guiding principals that are easy to remember:
Do you do the 3 word challenge, Gentle Reader? Have you found it to be helpful?
Poetry is an expression of wonder. Painting a scene with words is one way to keep a vision eternal. I can see the Asyrians come down like a wolf on the fold when I hear this poem. The colorful battlefield Lord Byron creates poetically lasts forever. He was not at the battle, but he has made it part of our cultural memory. Each of us has experiences that are unique to us, that only we can express. Poetry is a vehicle for these stories or impressions to reach the mind’s eye of the reader. If we do not tell those tales or color in the details of the scenes we have seen, they will not be told. A sense of wonder and willingness to write are the only tools needed. There are good reasons to write poetry:
Consider celebrating Poetry Month this April by writing some of your own. You will not meet the poet within until you try. Tomorrow, April 9, 2014, at noon you can join NPR on twitter writing a collaborative poem. Using the hashtag #CSPoetry contribute a line to the poem. The Code Switch poem will be presented in the stream when completed. You just don’t know what will happen next. You only have to think of one good line. Go for it, Gentle Readers. Do some gentle writing.
Today at the Tucson Botanical Gardens docents from the U of A Poetry Center offered a reading and workshop in Ekphrastic Poetry. This style of poem is a response to a piece of art, the Ek being from Greek and referring to echo. The group attending was a mixture of students, visual artists, and poets. By far the most emotional poem of the day was read by a Nam Vet who sat behind me. He chose to read War Photograph by Kate Daniels. His choked up emotions brought tears to his eyes which brought tears to the eyes of the audience. The other poems were discussed and analyzed but we were all very touched and had nothing more to say after he read. At the end of the session participants wrote poems about the photos in the gallery. All were striking. I apologize, gentle reader, for cutting off the very beginning of some of these gentle readings. It was a well produced and very well appreciated poetry experience, and we all have beautiful handouts to finish at home. There is one more session this spring of Poetry in the Gardens, Native poetry on April 26, 2014. These programs are included with garden admission. It is SUCH A DEAL!!
!